Tame Tabby – Episode 3.15 – Chuck Versus The Role Models

Written by Phil Klemmer
Directed by Fred Toye
‘Congratulations Warren Beatty’

Inevitable. After several episodes with the emotional content cranked up, plus the payoff episode last week with the HoneyMooners, the show had to come back to earth. Not unexpected and it occurs with every show and story. After hitting the heights for so long, a coming back to earth type of reckoning is as inevitable as the force of gravity. This is a transitional episode which is necessary to start laying the groundwork for the next big storyline.

This shot makes me laugh every time.

Chuck Versus the Role Models is a stand alone episode that does little to advance the show mythology and dishes out a generic mission which leaves it hobbled out of the gate. Stand alone episodes can be good episodes just as much as mythology ones. Especially if an episode directly impacts or involves one of the Team Bartowski members in a personal manner. Best Friend and Tic Tac are examples of stand alones that do a great job. Sizzling Shrimp is one that never did and now it has company with the Role Models.
Role Models, like the previous three episodes, starts out of the gate very strong with a hilarious Morgan dream induced send up of the 80s, ‘Hart to Hart’ TV show intro with Chuck and Sarah taking over the Wagner and Powers roles plus Morgan doing his best to invoke Lionel Standish. The next scene with Morgan at the fridge bumping into a scantily clad Sarah is also fun. Chuck and Sarah continue to dispel any issues about the two of them being together hurting the show.
Everything is played for laughs in this episode; a no fuss, no muss approach. So Sarah’s hidden gun cache and her initial reluctance to move in stir no dramatic interest as they are both casually dealt with. Too bad about the gun issue. Right now Team Bartowski has been left with a situation where Casey and Sarah handle all the dirty work. This could be a good source of ongoing conflict between Chuck and Sarah but it for now it looks like the show is going to steer clear of it.
The concept of Fred Willard and Swoosie Kurtz playing a mature version of Chuck and Sarah; with Udo Keir and a tiger thrown in, reads like a gold mine on paper. Sadly, the execution did not have that same gold sheen. Willard and Kurtz have their moments, but their storyline never engaged or surprised or brought the amount of humor that was anticipated.
The Casey and Morgan moments thankfully do. Morgan’s failures at all his training exercises were well done. However Casey’s, ‘heart to heart,’ with Morgan and approval of Morgan’s training were too much even in a light episode like this one. Morgan may indeed be a diamond in the rough but it would have been preferable to find a honest way to have him pass his training. At this rate of concession, can Jeff and Lester be far behind in joining the team? ( I kid! I kid.)
Another bit of a head scratcher was the sending off of Ellie and Devon to Africa via the Doctor Without Borders program only to have them come back in the same episode. It must be surmised that this storyline was originally envisioned to kick off the Fourth Season when the initial thirteen Season Three episodes were ordered. Whatever is going to happen in the next four episodes must require their immediate return.
Episode Flashes:

  • Third great opening sequence in a row – Morgan’s Hart to Hart dream with Chuck and Sarah
  • Morgan’s bedroom decor – including sparkly alarm clock
  • Pyjama wearing Morgan – a concession on his part – bumping into a scantily clad Sarah by the fridge – Vitamin Ds!
  • Congratulations Warren Beatty!
  • 30 Foot Rule Versus the Bartowski Rule
  • Craig/Laura Turner aka George/Bitsy Witherspoon aka John/Suzie Smythe
  • Diamond in the rough. Very, very rough. I’m sure you’ll make him sparkle.
  • Chuck channelling Ellie as he cleans up waiting for the Turners to arrive
  • Morgan being trained in the BuyMore by Casey
  • Udo Kier! – as Otto Von Vogel
  • This is how I deal with stress.
  • Doctor, super fantastic, white person.
  • Morgan’s gun training – video game knowledge vs reality
  • Morgan’s ‘bravery’ with the tiger
  • Sarah stepping in to ‘explain’ the Turners’s mission plan to Beckman
  • The handing off of the spy couple baton from the Turners to the Bartowskis
Call of Duty Meets Reality

‘Chuck Versus The Role Models’ is a solid, albeit inconsequential, episode. It has the misfortune of following the superior efforts from The Other Guy and The HoneyMooners. For those that prefer lighter episodes and enjoy the relational aspects of the show they are sure to find much to be happy with this one. There is continuing proof that putting show leads together is not the kiss of death. Plus the opening of acting manuveuring room for Yvonne Strahovski continues to reap benefits for the Sarah Walker character.
For those that prefer the mythology based episodes or ones that tackle character issues in a more grounded manner, take heart, more engrossing times are ahead based on the preview for the next episode. Things should start revving up once again.

Chuck – Episode 3.18 & 3.19 Reviews

Science Fiction, Double Feature, Picture Shaw
Episode 3.18 – Chuck Vs The Subway
&
Episode 3.19 – Chuck Vs the Ring II
3.18 – Written by Ali Adler, Matt Miller & Phil Klemmer
3.18 – Directed by Matt Shakman
3.19 – Written by Chris Fedak & Josh Schwartz
3.19 – Directed by Robert Duncan McNeil

”Two Bartowski’s. Double the fun.’
Wow! Whew! Catch your breath yet? It has taken me awhile. Already intellectually and emotionally fatigued by the Lost series finale the night before – fantastic BTW – approaching the Chuck Season 3 Finale included some trepidation. Heading into the Chuck double header in a fatigued state is not the best situation. My fears prove unfounded as Chuck delivered its best season finale of the series. Chuck Versus The Subway is the perfect episode. The events contained within it were truly series’s defining and character changing ones for all the Bartowski clan.

He’s Baaaaaacccccckkkkkkk!!!!!!!!!

So, with apologies to the theme song of the Rocky Horror picture and its fans plus my occasional lapse into bad puns ie Shaw instead of Show, let us dive into the goodness that episodes 3.18 and 3.19 gave Chuck fans. The title of this review is most fitting because these two episodes had a real SF vibe to them as the tech of the Intersect and PapaB was mixed with the tension of Chuck unravelling mentally all while the menancing spectre of Daniel Shaw lurked as a dangerous presence to the members of Team Bartowski and their loved ones. Cap off all of that with the expansion of the Bartowski family backstory and the genesis – or the continuation of the Orion legacy – of Chuck’s next step in his heroic journey. What more can a fan ask for?
At the end of Chuck Vs The Tooth Chuck was experiencing Intersect fueled dreams about Daniel Shaw being alive. We knew those dreams were true. We also knew that Shaw had downloaded a Ring version of Intersect; Ringtersect anyone? Chuck Versus The Subway is the swansong for writers Ali Addler, Matt Miller, and Phil Klemmer. And what a swansong it is. Subway is brimming with emotion, action, drama, and revelations. It is also the swansong episode for PapaB. We may get to see him in future episodes in Jor-El type videos but it is doubtful that Orion will be brought back from the dead. Even more so than Shaw and Bryce it would not feel right to do so. The finale is about the passing of the torch from a father to his children. Mainly Chuck and, I hope the showrunners see it that way, Ellie as well.

Chuck & Sarah – They Have Come A Long Way

This episode did so many things right with the pinnacle being the strengthening of the bonds between the main players of the cast. What precipitated that was the truth of the spy world revealed to Ellie. With everyone in the know the barriers between characters have been finally lowered. Instead of deflection the characters can share mutual reflection. Instead of being kept at arm’s length to hide the truth, characters can now reaffirm bonds that existed before Bryce sent Chuck the email in the pilot. The benefits of finally allowing Chuck and Ellie to have open conversations again is immediately apparent. Sarah Lancaster was finally given some new material to work with and it is a development the show would be well advised to continue.
Mercifully the resurrection of Shaw as the villain worked for the most part. There were even flashes of above adequate enjoyable bits from Shaw from the knocking on the subway car door to his evil guy laugh. The disdain that the fandom had for the character and his history with Chuck and Sarah added that extra level of tension needed for a nemesis. The weak part of his return is the undercooked aspect of Shaw’s motivation of going totally Ring and becoming fixated on killing Chuck. This does not jibe with his arc of revenge for his wife’s death and wanting to punish the person responsible; Sarah.

Morgan – Two Thumbs Up Despite The Detonator Accident

What more can be said about Scott Bakula as Stephen J. Bartowski? Scott brought so many things to the character and he will be sorely missed. PapaB’s actions during the Subway episode illustrated the bluerprint for how Chuck, and Team Bartowski, should handle things. His smarts are dramatized over and over again in identifying Shaw at the Subway station, using Ellie to find the Ring Base, breaking Chuck out of the CIA holding cell, and the building of the Governor.
Above all that was his heart and the premium he placed on family and keeping them safe. We knew what he had done for Ellie and Chuck. It was not until the final scenes that the true scope of what PapaB had done, and sacrificed, became known. PapaB’s approach to how to protect his family may not have been the best one but it worked for him.   What worked for him does not mean it would work for Chuck and Ellie. Plus they have an advantage. They have each other and the rest of Team Barktowski to watch their backs.
Episode Flashes: (Lots of them. Proof these episodes were packed with goodies):
For 3.18:

  • Chuck hovering over his father’s shoulder as PapaB works on Chuck’s Governor
  • PapaB ‘talking’ Chuck down
  • Sarah’s touching extending to PapaB
  • Awesome not looking as Awesome as usual
  • Morgan breaking the news to Devon about Ellie – ‘How could she do this to us?’
  • Casey surreptiously checking up on his daughter
  • Chuck and Sarah sharing a blueberry in the Farmer’s Market – so…… normal
  • Knock, knock, knock – Shaw reveal in the subway car
  • PapaB working the Castle computers to track Shaw
  • Jeff and Lester ‘consoling’ Devon
  • ‘Its my dream come true. Ellie is exactly like Chuck but with lady parts.’ Jeff – creepy funny
  • Sarah discovers TeamB is in a CIA not Ring building
  • Chuck and Ellie come face to face – ‘Chuck, I thought you quit KungFu in the third grade.’
  • Chuck barging into Beckman’s hearing on the value of the Intersect project
  • Shaw walking into the hearing – he gets a slomo entrance – still waiting for Chuck’s BTW!
  • Shaw playing the Hearing and Sarah’s reaction to learning Chuck’s mental condition
  • Casey and Sarah go to the aid of their loved ones
  • Devon accidentally spills the beans about Chuck to Ellie – Ellie takes charge!
  • Casey protects Alex who seems pretty capable herself
  • PapaB works his tech magic and frees Chuck from CIA lockdown
  • Casey growling at Justin over apple pie
  • Casey revealing to Alex that he is her father and protecting her escape
  • ‘Oh and you can blame the CIA for my bachelor party. Stripper?. She was an agent. Told you I didn’t cheat. Faithful!’ Devon vindicated!
  • ‘Morgan Grimes, the boy that took my pillow as his date to junior prom, knows more about my family being spies than I do.’
  • Sarah clocking Shaw. Nice callback to Shaw clocking Rafe. New scumbag in town.
  • Beckman’s desperate Princess Leia plea, ‘You are our only hope.’ Morgan and Devon not sure to whom she was pleading with. LOL!!
  • The Bartowski’s playing it smart
  • Shaw’s evil – ‘Moowahaha’
  • McTiernan Industries – shoutout to action director John McTiernan(Die Hard, Predator)?
  • Sarah and Casey’s pride at Chuck’s spy skills – ‘Picked a good one Walker. Finally’
  • Ringtersect sure is slick looking
  • Shaw puts down PapaB! ‘Always remember son. You’re special.’
  • Is anyone more expressive than Ellie?
  • ‘Check out the fresh fish’ – another Shawshank reference
  • ‘You might want to stand back. This could explode. Ummm yeah…OK’ Morgan is priceless!
  • ‘There is no one left to save us.’ Ellie, Devon, and Morgan jump to the rescue.

Episode Flashes for 3.19

  • Ellie showing spy skills tailing the armored car
  • little Chuck and Ellie and the seeds of why Ellie looks after Chuck so fiercely
  • ‘No plan? That never stopped me before.’ LOL Morgan is so priceless!
  • Glovebox!
  • Casey’s Crown Vic could give the Green Hornet’s Black Beauty a run for its money – missile launcher!
  • Ellie puts her foot down and keeping her promise to protect Chuck.
  • Big Mike’s ‘Moses’ phone – shades of the Batphone.
  • Chuck getting to tell Ellie that their dad was a great man.
  • Chuck using PapaB-like skills to communicate with Beckman.
  • ‘Who are the Elders? They sound scary. World of WarCraft scary.’ – Guess who!
  • TeamB unites to take on Shaw and the Ring Elders.
  • Chuck and Sarah in disguise sharing winks before putting the plan into action
  • Morgan and Casey cracking the Conference database
  • Morgan waking up Casey’s paternal instincts
  • Chuck conning Shaw into a confession and capturing the Ring Elders – shades of Quantum of Solace anyone? Though Bond never used the Mexican Hat Dance ring tone!
  • Muzzle down Morgan!
  • Morgan breaking his thumbs for naught
  • Morgan has mad nose touch iPhone skills!
  • Pineapples! The Sequel.
  • Chuck GETS his slomo entrance. Yay!
  • Ewww! Shaw’s flash look is even creepy.
  • Jeffster- Blaze of Glory!
  • Shaw and Chuck square off.
  • Wow – Chuck intersected as a young boy. Very intriguing.
  • Sarah delivering the final blow to Shaw and racing to get the Governor back to Chuck and her look of relief at doing so.
  • Morgan is all er no thumbs with the detonator.
  • Lester- ‘Did we do that?’ Bye-bye Buy More.
  • Jeffster! Fugitives! Band on the Run!
  • TeamB family gathers to remember PapaB and welcomes Alex into the fold.
  • The, ‘Oh boy,’ that Chuck mutters as the Orion signature screen comes up on his computer monitor?  A subtle ‘passing of the torch’ moment.  Love it.
  • Chuck’s promise to Ellie about leaving the spy world will be short lived as he discovers the Bartowski legacy and the hope of finding MamaB.
  • ChuckCave! Shades of the warehouse from the end of Raiders of the Lost Ark too.
  • Orion and Hydra!

Stephen J. Bartowski to Chuck and Ellie – ‘There is nothing in this whole world you two can’t fix if you work together.’
Could that line be the Mission Statement for the series going forward? Three seasons in and the entertainment value in trying to perserve the barrier between the spy world and the real world have been played out. As each character found out about Chuck’s dual life more dramatic doors opened than the ones that were closed. With Ellie in the loop and the setup in the closing moments the more entertaining avenue now would be to bring everyone into the fold and pick up the mantle of Orion’s legacy rather than try to perpetuate a new series of lies.
With the Chuck and Sarah relationship resolved and all the characters free to talk openly to one another, there is much more story telling manuveuring room. With these obstacles removed and the attendant effort to maintain no longer necessary, those energies can now be turned towards creating a more fleshed out show mythology. Instead of maintaining divisive constructs the show can now focus on unifying ones.

Goodbye BuyMore?

Chuck works best when it balances all the elements equally.   Chuck Vs The Subway is the showcase episode for doing that.  With the exception of Chuck Vs Santa Claus has there been a better episode where all the main cast members are used so equally and effectively?  This is my all time favorite episode of the series.  Thanks to Ali Adler, Matt Miller & Phil Klemmer for gifting us with this episode before departing.  Best of luck to each of you on your new endeavors!

And Hello ChuckCave?

So endeth the Third Season of Chuck. What a journey it has been. It is amazing to take the characters of this season and compare them against previous seasons. The growth and evolution has been fantastic. The execution of those changes faltered from time to time which is too bad. Fortunately the show righted itself and these final two episodes have the show pointed in a most promising direction.
As to what that direction might be, look for an upcoming article that explores the possibilities of Season 4.

MamaB! Hydra, by any chance? Season 4 – Family Matters….

I had a lot of fun writing these reviews and hope you enjoyed reading them.  Thanks to Mel for giving me a place to put down my thoughts.  Hope to do it again for Season 4.
Have a great summer everyone!  See you in September.

They Are Still Our Chuck & Sarah Too – Episode 3.13: Chuck Vs The Other Guy

Written by Chris Fedak
Directed by Peter Lauer

‘I appreciated the tank.’
Chuck and Sarah are together. Huzzah! The elephant in the room has been set free. What was so great about this episode is that the Sarah and Chuck relationship was resolved early in the episode. That early resolution allowed attention to shift to other matters such as tracking down the Ring Leader.

Still The Sarah and Chuck We Know

The episode opens with the best teaser the series has done to date. Like Chuck we rightly believe that Shaw is intent on seeking revenge on Sarah. He leads her to an abandoned Ring location where monitors show Sarah’s Red Test playing in a never ending loop. Sarah learns that Eve Shaw was her Red Test while Shaw hovers menacingly in the background. With that setup a hilarious payoff is delivered when Chuck arrives on the scene after seemingly mobilizing the entire military to rescue Sarah. Including stealth bombers and tanks.
From the teaser the episode never falters as it gives resolutions and changes for the main characters all done in that uniquely comedic touching and heartfelt way that the Chuck show does so well. When the show shifts back to the spy world, the little beats between Chuck and Sarah as they worry about Shaw in general and about him finding out about them specifically; continue the fun of the previous normal world moments.
‘You saved me.’
The show shifts gears in the final act as Chuck really has to save Sarah this time as Shaw’s end game plays out. Season long threads are revisited as Chuck’s aversion to violence, his priority on family and friends, his Red Test, and the struggle to not lose himself even as he must do necessary things he abhors. The final act is the serious version of the teaser and this time it is all about Chuck handling it on his own with no backup.
Chuck tries everything in his power to prevent the eventual outcome from happening but once he knows there are no other options he does the necessary thing and pulls the trigger. A trigger pull that he knows will save Sarah’s life but may cost him Sarah’s love. If Sarah remains steadfast in her belief that if Chuck kills it means he cannot be the same guy she fell for. Fortunately for Chuck, Sarah was able to witness the moment in her paralyzed state so she knows the truth of that moment. She knows what Chuck did was unavoidable. She saw Chuck trying everything to not have to kill. Sarah knows he had no choice and that Chuck’s love for her is such that Chuck was able to have the stones, as Casey would say, to pull the trigger.
Chuck saved her.
Most fitting that the theme of Chuck doing the right thing no matter what the cost is the very thing that brings him and Sarah together.
Episode Flashes:

  • Opening sequence – one of the best ever for the series. Tense, action packed, and funny.
  • ‘And the tank too.’
  • General Beckman chewing Chuck out for his rescue mission – ‘This bill is longer than my copy of Atlas Shrugged.’ LOL
  • ‘I appreciated the tank.’
  • MORGAN! Like every scene he was in!
  • Morgan saying goodbye to Big Mike
  • Casey and Morgan wishing each other well in their respective old lives
  • Chuck on a nerd bender mixing whiskey, mint ice cream, guitar hero, and John Hughes movies.
  • Sarah’s amazing ability to conceal knives no matter how she is dressed
  • OMD -‘If You Leave,’ on vinyl! Or at least the show used a needle on record sound effect
  • Morgan yelling he hates the song now
  • Sarah admitting she loves Chuck – without ever saying it – and fell for him pretty well from the start
  • Morgan obviously eavesdropping on Chuck and Sarah’s heart to heart and popping out at the mention of a mission
  • Chuck and Sarah worried about whether or not Shaw knows about them and resultant shot down the elevator shaft
  • the elevator scenes – including the cheesy Ring logos at the end of the hallways
  • Morgan sussing out right away that Shaw’s fight was staged – Sonny Chiba for the win!
  • Beckman does sleep sometimes! Plus she uses the clapper!
  • Morgan’s Yoda line delivery, ‘There is another.’
  • Morgan rallying Casey to help out Chuck rescue Sarah
  • Chuck trying everything to avoid killing Shaw but doing what was necessary in the end
  • Casey getting back on the team and adding Morgan to Team Bartowski!
  • Joy at RingLeader Mark Shepherd not being dead somewhat muted by him being captured
  • Sarah’s realization that Chuck saved her for real
  • Beckman’s interruption – very Bondish
  • Sarah’s, ‘Shut up and kiss me, ‘ followed by Chuck’s you betcha head shake before diving in
  • closing shot of Chuck’s Chuck hanging out of the bed before panning to the Eiffel Tower

‘Shut up and kiss me.’

Being Together Does Not Mean Puppy Dogs & Sunshine All The Time

‘Chuck Versus The Other Guy,’ is a crackling piece of enjoyment. The action, the humor, the drama, nerd/80s references, and of course – romance are mixed together to provide a finale in midseason. Chris Fedak has introduced several major changes, the key one being the long awaited, and for many – way overdue, resolution to the Chuck and Sarah, ‘Will They, Won’t They,’ storyline. Yvonne and Zac nailed their heart to heart scene with Josh hovering in the background. Chuck at its best. Funny and touching.
There were many other things to like in this episode. With the Love Interest storyline between Sarah and Shaw finally put to bed, so to speak, the shift of focus to Shaw’s revenge storyline was most welcome. Too bad it was undercooked and left till so late in the game. However the production budget was apportioned for the episodes, this one felt like it had something a little extra as there was never a moment where costs seem to be an issue. The Paris scenes especially looked very authentic. Kudos to the production crew!
Most enjoyable was Morgan’s role in this episode. He straightened out Chuck several times, pointed out Shaw’s duplicity, and gave Casey a kick in the rear to boot. His inclusion on Team Bartowski opens up a wealth of story possibilities and the comedy potential is off the charts based on his interactions with Casey and Beckman. Glimpses of him in action from the promo for the upcoming episodes are hilarious.
Quibbles with the episode? Three minor ones. First one; the lack of Ellie and Awesome was a disappointment in what is a midseason season finale. Secondly; thematically the same material was covered again contrasting Shaw against Chuck. It felt like the character of Chuck was treading water, waiting for everyone to catch up until the last act. Finally, it would have been a nice call back to 3.04 if Chuck had repeated his nothing matters more to him than family and friends creedo in response to Shaw’s belief that Chuck would not pull the trigger.
The gang is back together and the next 6 episodes should be a blend of the best elements of Seasons 1 and 2 mixed in with the evolved characters of Season 3 to date. Safe to say, everyone is looking to the next half dozen episodes with great anticipation.

Believe It Or Not, It’s Just Me – Episode 3.12: Chuck Vs The American Hero

Written by Matt Miller/Phil Klemmer
Directed by Jeremiah Chechik
Greatest American Hero Theme Song – Believe It Or Not
Look at what’s happened to me,
I can’t believe it myself.
Suddenly I’m up on top of the world,
It should’ve been somebody else.
Believe it or not,
I’m walking on air.
I never thought I could feel so free.
Flying away on a wing and a prayer.
Who could it be?
Believe it or not it’s just me.
Just like a light of a new day,
It hit me from out of the blue.
Breaking me out of the spell I was in,
Making all of my wishes come true.
Believe it or not,
I’m walking on air.
I never thought I could feel so free.
Flying away on a wing and a prayer.
Who could it be?
Believe it or not it’s just me.

‘No thanks. She’s still there.’
With the attainment of his goal of becoming a spy, Chuck believes he can finally be together with Sarah. Everything seems to be falling in place when Beckman tells him he can pick the members of his team. Naturally his first choice is Sarah. So Sarah’s angry reaction upon Chuck’s return and offer is a shock for him. Telling Chuck that because he has killed, Sarah; based on how her Red Test affected her, does not believe that Chuck can emerge from that test as the same guy she originally fell for.
Sarah is grieving for what she believes is the death of the Chuck Bartowski she fell in love with. If we apply the Stages of Grief to Sarah:
1)Denial
2)Anger
3)Bargaining
4)Depression
5)Acceptance,
in 3.11, she was in the denial phase, hence her proclamation of no longer loving Chuck. Now she has moved onto the anger phase which her behaviour and responses upon Chuck’s return validate. Chuck is trapped because he cannot reveal that Casey killed the mole and not him.

Vision Clouded By Anger – The Nerd Is Right There In Front Of Sarah

Fearful that Sarah is slipping away from him into a life in DC with Shaw; Morgan, Casey, and Devon rally to Chuck’s aide; albeit they do so with ulterior motives. As expected, the results of this mission are less than helpful but provide a lot of enjoyment as Civilian Team Bartowski(CTB) unknowingly vy with a Ring Team intent on capturing Shaw. This leads to excellent Ellie moments as she first scolds CTB and then Chuck.
This time Chuck returns to woo Sarah with a clear head. Rescuing Shaw, with the knowledge that Sarah may very well end up leaving with Shaw, Chuck does the right thing again. Even if it is at a personal cost. Through his actions, Chuck proves to Sarah that he is indeed that guy she first fell for. Chuck is the ‘True’ American Hero of this episode as what he did was for selfless reasons in stark contrast to the revenge reasons that motivate Shaw.
Chuck’s closing speech is much like the one he gave Sarah at the end of Lethal Weapon. Except this time he is blunt and direct in relaying to Sarah his feelings. And again, he leaves the choice up to her. He shows Sarah how deeply he feels by being willing to give up the spy life he has worked so hard to attain to be with her.
Episode Flashes:

  • Beckman’s waiting area with multiple receptionists and spies waiting to see her
  • Chuck trying to find out how to sit comfortably with a gun
  • Chuck and Beckman scene – ‘I understand that the hand wringing and the second guessing are all part of your process.’
  • Ellie excited to go to Africa because she thinks that is what Devon wants
  • Chuck’s Civilian Team Bartowski(CTB) – Casey, Morgan and Devon!
  • Morgan telling Casey to take a number
  • Morgan telling Casey love is a battlefield
  • Jeff and Lester being totally cognizant and up to date on the Sarah/Chuck/Shaw triangle -‘Guy knows how to fill out a pair of slacks!’
  • CTB with their own agenda – ‘We help you get the girl back, you help us get out of Burbank.’.
  • CTB and Ring Team targetting Shaw at the restaurant
  • Morgan telling Devon, ‘You live in a bubble. A freakish bubble of awesomeness.’
  • Morgan calling Shaw out of the restaurant and getting carried away with instructions
  • Morgan getting tasered! ‘Man down! I’ve been tazzed! Bring a stretcher. Wheelbarrow….change of pants!’ LOL
  • Ellie scolding CTB
  • Ellie’s anger at Chuck for going to CTB instead of her
  • Ellie’s pep talk to Chuck telling him to act like a Bartowski and that one can never go too far in the pursuit of love
  • Jeff & Lester berating CTBs stalking skills and proving theirs by tailing Shaw in Loretta
  • ‘Stalker’s Log: Possibly for sexual encounter. Both men are physically fit. Should be lively.’
  • Casey selling ‘Hot Zone’ vacuum cleaner
  • Chuck’s Batman jump into Shaw’s sports car
  • Dr. Jibb Pop Machine elevator entrance into Ring base
  • Ring Leader – very cool
  • Chuck and bad guy’s reactions to impending flash bomb explosion
  • Stealth Bomber Sequence
  • Chuck’s rescue of Shaw – The ‘True’ American Hero
  • Chuck’s final speech to Sarah – ‘One time because it feels really nice to say. I love you Sarah Walker.’
  • Casey’s confession of killing mole in Sarah’s apartment. Adam really nailed it.
  • Reveal that Sarah killed Shaw’s wife – Eve.

Phil Klemmer was tasked with kicking off the Sarah and Shaw relationship in 3.07 – Chuck Versus The Mask and along with Matt Miller in Chuck Versus The Greatest American Hero, he has drawn the short straw once again in ending it. If he volunteered for these two episodes then Phil is to be commended as the Real American Hero of the Chuck writing staff. If it was the luck of the draw then Phil should not take it personally if no one takes him up on an offer to pick lottery ticket numbers.
With this episode the final pertinent pieces of the Sarah and Shaw relationship have been placed in the open. I have been withholding final judgment until this moment, hoping that the writers would pull a rabbit out of their hat to salvage this arc. Alas, it is not to be. For all the props I have given the show in my reviews, I am behoven to call foul when appropriate. To be blunt, the Sarah and Shaw relationship was a sham. It did not work and the episodes that included it, suffered because of it. A further examination of why will take place in an article(s) looking back over the first 13 episodes during the upcoming two week break after 3.13 airs.
Proof that the Sarah and Shaw relationship is irrelevant is that if you can isolate and ignore those moments the episode still works. Works very well. The inclusion of Morgan into Chuck’s spy life continues to reap great dividends. The interplay between Casey, Morgan, and Devon is a hoot to watch. The action beats were great. The Chuck and Sarah moments were as good as they have ever been. Casey’s continuing struggle in the civilian world continues to intrigue.
‘I love you Sarah Walker. Always have.’

A Real Hero – Selfless Act

As mentioned in the 3.11 review, I was banking on a Casey and Sarah counterpart scene to bookend the one that Chuck and Casey had, which came to be true. While the scene did not prove to be the deciding factor in Sarah’s decision it did put to rest any lingering doubts she had during her packing. Adam and Yvonne played the scene beautifully. Casey’s furtive glances at Sarah’s packing on the bed and his round about way of wishing Sarah well was done to perfection. My favorite scene of the episode.
With the reveal that she killed Shaw’s wife the stage for the next episode has been set.   So glad that the episode ended with Sarah being shown as having clearly made up her mind.
Spy or not, Sarah believes it.  It’s just Chuck.

A Fistful of Catch 22’s – Episode 3.11: Chuck Vs The Final Exam

Written by Zev Borow
Directed by Robert Duncan McNeil

‘Catch 22,’ a novel by Joseph Heller:
“There was only one catch and that was Catch-22, which specified that a concern for one’s safety in the face of dangers that were real and immediate was the process of a rational mind.  Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions.”
‘I love irony.’
In 3.10, life changes were introduced for several of the cast members. This week those changes were explored in their various stages of progression for the three leads. Tied into those changes were barriers for each of the characters. In some cases the barriers are external. In others internal. In all cases there is a Catch 22 element to them. Damned if you do. Damned if you do not.
Catch 22 Scenario 1:
Chuck is convinced that in order for him to be together with Sarah, he has to become a spy. The catch? In order to become a spy, Sarah believes Chuck cannot accomplish that goal without losing the qualities that has endeared him to her in the first place. Those qualities are more than endearments. For Sarah they are lifelines to redemption as we later see.
Catch 22 Scenario 2:
This one is built on a false premise.
In order to be a spy, Chuck must pass the red test, which means he must kill. If he does not, Chuck goes back to his old life. This one has always struck a false note right from when it first arose back in 3.01. As long as Chuck has the Intersect, how can he go back to a normal life? It would be more plausible for him to go back to an asset status. Or bunkered. Maybe that is what the show means, but since they leave the details of what his old life are nebulous, the inference is that he will be a civilian. Which makes no sense if he still has the Intersect.

Trapped Within Their Own Perspectives

Catch 22 Scenario 3:
Chuck has become a spy dishonestly. With Casey taking the shot the cheat has worked in Chuck’s favour this time. In Stanford, the cheat cost Chuck his diploma. Ah yes, the smell of irony. The catch here is that Chuck cannot come clean for Casey is a civilian and what he did was murder. So Chuck’s hands are tied in being able to tell Sarah the very thing she needs to hear.
Catch 22 Scenario 4:
If Chuck passes his spy test, he gets everything he wants, except Sarah in his new assignment. If he fails he loses everything including, it is inferred, Sarah. What would anyone put the chances of Sarah resigning to stay with Chuck if he did fail though?
Some of these barriers do not bear up under examination but we must accept them for what they are. They are the factors being used to drive the actions of the characters. The main thing to take away is that for the story to continue the log jam has to be relieved. Which it looks like it will be in the next episode. With the relieving of these pressures, changes for the characters is inevitable.
Episode Flashes:

  • Beware blue bubble wrap envelopes! They bring ill tidings.
  • Casey finding his spy skills cannot be employed at the BuyMore
  • For the men – nice legs shot of Sarah
  • Chuck and his reaction to the spy test – #2 pencil and scantron!
  • Chuck’s new cover as a billionare in Rome – pretty sweet for a first gig
  • Chuck Bond! The Nerd is getting smoother all the time.
  • Chuck Stake Out Essentials with his own specialized case of champagne, Sizzling Shrimp and Stake Out play list amongst other items
  • Sarah’s twisty mouth ‘I shouldn’t be falling for this but I am,’ reaction
  • Private Eyes!
  • Chuck and Sarah showing the chemistry is still there in gobs during the stake out/date.
  • Sarah hiding behind binoculars as Chuck’s words get past her emotional defenses
  • ‘I can expense this, right?’
  • For the ladies – Chuck in a towel
  • One of the Russian baddies named Ivan Drago! Ala Rocky IV ‘I must break you.’
  • Chuck fighting in the Steam Room in TV version of Eastern Promises
  • Ka-kaw! Ka-kaw! Chuck bird call to help ID the CIA mole
  • ‘I am a spy!’ – cue shot of dropping towel – ‘I am a naked spy!’ – eat your heart out James Bond!
  • Chuck strutting in the OrangeOrange up to Sarah, ‘Hi there colleague!’
  • Chuck’s gift to Casey
  • Sarah having to deliver Chuck his final mission test – the red test
  • Washroom fight – Casino Royale style!
  • Chuck trying his best to bring the CIA mole in alive
  • Chuck unable to take the shot
  • Casey taking the shot
  • Sarah’s remorse and the intertwining of her feelings of her red test with those of being responsible for leading Chuck down the path to taking the red test

Zev Borrow has crafted an episode that seems very much like the launching pad for some major story threads in the next episode or two. All done with the trademark mix of humor, drama, action and comedy. Characters are being positioned to make irreversible choices. Once again, this has become a mantra, the three leads turn in strong performances. With Chuck we get the first glimpses of the spy he will be. Zac Levi’s merging of the Bondian aspects of the spy world with Chuck’s innate goodly goofy qualities is a treat to watch. Adam Baldwin’s turn as John Casey as a hair triggered weapon with no place in the so called real world of the BuyMore was fun. Finally there is Sarah’s back story reveal of her red test which explains much, if not all, of her behaviour this season and the series. Yvonne nails the turmoil and anguish of that moment and encapsulates Sarah’s behaviour since Prague.
‘It was the worst day of my life.’
With Sarah’s backstory reveal of her red test, the final piece of the puzzle for her seemingly inconsistent behaviour this season has been added. Not only is she struggling with dealing with real feelings for the first time in her life, Sarah is seeing a chance to reclaim a part of herself through Chuck slipping away. Sarah has been struggling with her identity, as has Chuck and Casey, all season. Meeting Chuck gave her an anchor upon which to re-establish whom she was. When Chuck decided to become a spy, Sarah lost that anchor and has been adrift ever since. Staying with Chuck and watching him evolve by incoporating the very things Sarah hates about the spy life has been torture for her. Worse because she feels responsible for tainting those rare qualities of truth and honesty that Chuck has. This explains her request for transfer and distancing herself from Chuck all season as that process fermented. Now, believing Chuck has killed and knowing the fallout from her red test, Sarah is at her lowest point.
Her statement of not loving Chuck is a sympton of pain but Chuck is not the source. Sarah is. It is herself that she loathes. Chuck represents her past. And her shame. When Chuck passed the red test it equated to a lost opportunity for Sarah. A chance that may never come again to, in some measure, redeem herself. This is a line in the sand moment. Not a reinforced bunker. Such lines can be crossed. Sometimes the person making them is begging for someone to cross them.
‘You’re not a killer Chuck.’

CleanUp Is Still Possible

Exciting times ahead. Sarah is about to discover that all is not lost through the actions and words of, not just Chuck, but Casey too. This is what we have been waiting for.
Payoff time!