‘No thanks. She’s still there.’
With the attainment of his goal of becoming a spy, Chuck believes he can finally be together with Sarah. Everything seems to be falling in place when Beckman tells him he can pick the members of his team. Naturally his first choice is Sarah. So Sarah’s angry reaction upon Chuck’s return and offer is a shock for him. Telling Chuck that because he has killed, Sarah; based on how her Red Test affected her, does not believe that Chuck can emerge from that test as the same guy she originally fell for.
Sarah is grieving for what she believes is the death of the Chuck Bartowski she fell in love with. If we apply the Stages of Grief to Sarah:
1)Denial
2)Anger
3)Bargaining
4)Depression
5)Acceptance,
in 3.11, she was in the denial phase, hence her proclamation of no longer loving Chuck. Now she has moved onto the anger phase which her behaviour and responses upon Chuck’s return validate. Chuck is trapped because he cannot reveal that Casey killed the mole and not him.

Fearful that Sarah is slipping away from him into a life in DC with Shaw; Morgan, Casey, and Devon rally to Chuck’s aide; albeit they do so with ulterior motives. As expected, the results of this mission are less than helpful but provide a lot of enjoyment as Civilian Team Bartowski(CTB) unknowingly vy with a Ring Team intent on capturing Shaw. This leads to excellent Ellie moments as she first scolds CTB and then Chuck.
This time Chuck returns to woo Sarah with a clear head. Rescuing Shaw, with the knowledge that Sarah may very well end up leaving with Shaw, Chuck does the right thing again. Even if it is at a personal cost. Through his actions, Chuck proves to Sarah that he is indeed that guy she first fell for. Chuck is the ‘True’ American Hero of this episode as what he did was for selfless reasons in stark contrast to the revenge reasons that motivate Shaw.
Chuck’s closing speech is much like the one he gave Sarah at the end of Lethal Weapon. Except this time he is blunt and direct in relaying to Sarah his feelings. And again, he leaves the choice up to her. He shows Sarah how deeply he feels by being willing to give up the spy life he has worked so hard to attain to be with her.
Episode Flashes:

• Beckman’s waiting area with multiple receptionists and spies waiting to see her
• Chuck trying to find out how to sit comfortably with a gun
• Chuck and Beckman scene – ‘I understand that the hand wringing and the second guessing are all part of your process.’
• Ellie excited to go to Africa because she thinks that is what Devon wants
• Chuck’s Civilian Team Bartowski(CTB) – Casey, Morgan and Devon!
• Morgan telling Casey to take a number
• Morgan telling Casey love is a battlefield
• Jeff and Lester being totally cognizant and up to date on the Sarah/Chuck/Shaw triangle -‘Guy knows how to fill out a pair of slacks!’
• CTB with their own agenda – ‘We help you get the girl back, you help us get out of Burbank.’.
• CTB and Ring Team targetting Shaw at the restaurant
• Morgan telling Devon, ‘You live in a bubble. A freakish bubble of awesomeness.’
• Morgan calling Shaw out of the restaurant and getting carried away with instructions
• Morgan getting tasered! ‘Man down! I’ve been tazzed! Bring a stretcher. Wheelbarrow….change of pants!’ LOL
• Ellie scolding CTB
• Ellie’s anger at Chuck for going to CTB instead of her
• Ellie’s pep talk to Chuck telling him to act like a Bartowski and that one can never go too far in the pursuit of love
• Jeff & Lester berating CTBs stalking skills and proving theirs by tailing Shaw in Loretta
• ‘Stalker’s Log: Possibly for sexual encounter. Both men are physically fit. Should be lively.’
• Casey selling ‘Hot Zone’ vacuum cleaner
• Chuck’s Batman jump into Shaw’s sports car
• Dr. Jibb Pop Machine elevator entrance into Ring base
• Ring Leader – very cool
• Chuck and bad guy’s reactions to impending flash bomb explosion
• Stealth Bomber Sequence
• Chuck’s rescue of Shaw – The ‘True’ American Hero
• Chuck’s final speech to Sarah – ‘One time because it feels really nice to say. I love you Sarah Walker.’
• Casey’s confession of killing mole in Sarah’s apartment. Adam really nailed it.
• Reveal that Sarah killed Shaw’s wife – Eve.

Phil Klemmer was tasked with kicking off the Sarah and Shaw relationship in 3.07 – Chuck Versus The Mask and along with Matt Miller in Chuck Versus The Greatest American Hero, he has drawn the short straw once again in ending it. If he volunteered for these two episodes then Phil is to be commended as the Real American Hero of the Chuck writing staff. If it was the luck of the draw then Phil should not take it personally if no one takes him up on an offer to pick lottery ticket numbers.
With this episode the final pertinent pieces of the Sarah and Shaw relationship have been placed in the open. I have been withholding final judgment until this moment, hoping that the writers would pull a rabbit out of their hat to salvage this arc. Alas, it is not to be. For all the props I have given the show in my reviews, I am behoven to call foul when appropriate. To be blunt, the Sarah and Shaw relationship was a sham. It did not work and the episodes that included it, suffered because of it. A further examination of why will take place in an article(s) looking back over the first 13 episodes during the upcoming two week break after 3.13 airs.
Proof that the Sarah and Shaw relationship is irrelevant is that if you can isolate and ignore those moments the episode still works. Works very well. The inclusion of Morgan into Chuck’s spy life continues to reap great dividends. The interplay between Casey, Morgan, and Devon is a hoot to watch. The action beats were great. The Chuck and Sarah moments were as good as they have ever been. Casey’s continuing struggle in the civilian world continues to intrigue.
‘I love you Sarah Walker. Always have.’

As mentioned in the 3.11 review, I was banking on a Casey and Sarah counterpart scene to bookend the one that Chuck and Casey had, which came to be true. While the scene did not prove to be the deciding factor in Sarah’s decision it did put to rest any lingering doubts she had during her packing. Adam and Yvonne played the scene beautifully. Casey’s furtive glances at Sarah’s packing on the bed and his round about way of wishing Sarah well was done to perfection. My favorite scene of the episode.
With the reveal that she killed Shaw’s wife the stage for the next episode has been set.   So glad that the episode ended with Sarah being shown as having clearly made up her mind.
Spy or not, Sarah believes it.  It’s just Chuck.

‘I appreciated the tank.’
Chuck and Sarah are together. Huzzah! The elephant in the room has been set free. What was so great about this episode is that the Sarah and Chuck relationship was resolved early in the episode. That early resolution allowed attention to shift to other matters such as tracking down the Ring Leader.

The episode opens with the best teaser the series has done to date. Like Chuck we rightly believe that Shaw is intent on seeking revenge on Sarah. He leads her to an abandoned Ring location where monitors show Sarah’s Red Test playing in a never ending loop. Sarah learns that Eve Shaw was her Red Test while Shaw hovers menacingly in the background. With that setup a hilarious payoff is delivered when Chuck arrives on the scene after seemingly mobilizing the entire military to rescue Sarah. Including stealth bombers and tanks.
From the teaser the episode never falters as it gives resolutions and changes for the main characters all done in that uniquely comedic touching and heartfelt way that the Chuck show does so well. When the show shifts back to the spy world, the little beats between Chuck and Sarah as they worry about Shaw in general and about him finding out about them specifically; continue the fun of the previous normal world moments.
‘You saved me.’
The show shifts gears in the final act as Chuck really has to save Sarah this time as Shaw’s end game plays out. Season long threads are revisited as Chuck’s aversion to violence, his priority on family and friends, his Red Test, and the struggle to not lose himself even as he must do necessary things he abhors. The final act is the serious version of the teaser and this time it is all about Chuck handling it on his own with no backup.
Chuck tries everything in his power to prevent the eventual outcome from happening but once he knows there are no other options he does the necessary thing and pulls the trigger. A trigger pull that he knows will save Sarah’s life but may cost him Sarah’s love. If Sarah remains steadfast in her belief that if Chuck kills it means he cannot be the same guy she fell for. Fortunately for Chuck, Sarah was able to witness the moment in her paralyzed state so she knows the truth of that moment. She knows what Chuck did was unavoidable. She saw Chuck trying everything to not have to kill. Sarah knows he had no choice and that Chuck’s love for her is such that Chuck was able to have the stones, as Casey would say, to pull the trigger.
Chuck saved her.
Most fitting that the theme of Chuck doing the right thing no matter what the cost is the very thing that brings him and Sarah together.
Episode Flashes:

• Opening sequence – one of the best ever for the series. Tense, action packed, and funny.
• ‘And the tank too.’
• General Beckman chewing Chuck out for his rescue mission – ‘This bill is longer than my copy of Atlas Shrugged.’ LOL
• ‘I appreciated the tank.’
• MORGAN! Like every scene he was in!
• Morgan saying goodbye to Big Mike
• Casey and Morgan wishing each other well in their respective old lives
• Chuck on a nerd bender mixing whiskey, mint ice cream, guitar hero, and John Hughes movies.
• Sarah’s amazing ability to conceal knives no matter how she is dressed
• OMD -‘If You Leave,’ on vinyl! Or at least the show used a needle on record sound effect
• Morgan yelling he hates the song now
• Sarah admitting she loves Chuck – without ever saying it – and fell for him pretty well from the start
• Morgan obviously eavesdropping on Chuck and Sarah’s heart to heart and popping out at the mention of a mission
• Chuck and Sarah worried about whether or not Shaw knows about them and resultant shot down the elevator shaft
• the elevator scenes – including the cheesy Ring logos at the end of the hallways
• Morgan sussing out right away that Shaw’s fight was staged – Sonny Chiba for the win!
• Beckman does sleep sometimes! Plus she uses the clapper!
• Morgan’s Yoda line delivery, ‘There is another.’
• Morgan rallying Casey to help out Chuck rescue Sarah
• Chuck trying everything to avoid killing Shaw but doing what was necessary in the end
• Casey getting back on the team and adding Morgan to Team Bartowski!
• Joy at RingLeader Mark Shepherd not being dead somewhat muted by him being captured
• Sarah’s realization that Chuck saved her for real
• Beckman’s interruption – very Bondish
• Sarah’s, ‘Shut up and kiss me, ‘ followed by Chuck’s you betcha head shake before diving in
• closing shot of Chuck’s Chuck hanging out of the bed before panning to the Eiffel Tower

‘Shut up and kiss me.’

‘Chuck Versus The Other Guy,’ is a crackling piece of enjoyment. The action, the humor, the drama, nerd/80s references, and of course – romance are mixed together to provide a finale in midseason. Chris Fedak has introduced several major changes, the key one being the long awaited, and for many – way overdue, resolution to the Chuck and Sarah, ‘Will They, Won’t They,’ storyline. Yvonne and Zac nailed their heart to heart scene with Josh hovering in the background. Chuck at its best. Funny and touching.
There were many other things to like in this episode. With the Love Interest storyline between Sarah and Shaw finally put to bed, so to speak, the shift of focus to Shaw’s revenge storyline was most welcome. Too bad it was undercooked and left till so late in the game. However the production budget was apportioned for the episodes, this one felt like it had something a little extra as there was never a moment where costs seem to be an issue. The Paris scenes especially looked very authentic. Kudos to the production crew!
Most enjoyable was Morgan’s role in this episode. He straightened out Chuck several times, pointed out Shaw’s duplicity, and gave Casey a kick in the rear to boot. His inclusion on Team Bartowski opens up a wealth of story possibilities and the comedy potential is off the charts based on his interactions with Casey and Beckman. Glimpses of him in action from the promo for the upcoming episodes are hilarious.
Quibbles with the episode? Three minor ones. First one; the lack of Ellie and Awesome was a disappointment in what is a midseason season finale. Secondly; thematically the same material was covered again contrasting Shaw against Chuck. It felt like the character of Chuck was treading water, waiting for everyone to catch up until the last act. Finally, it would have been a nice call back to 3.04 if Chuck had repeated his nothing matters more to him than family and friends creedo in response to Shaw’s belief that Chuck would not pull the trigger.
The gang is back together and the next 6 episodes should be a blend of the best elements of Seasons 1 and 2 mixed in with the evolved characters of Season 3 to date. Safe to say, everyone is looking to the next half dozen episodes with great anticipation.

‘Catch 22,’ a novel by Joseph Heller:
“There was only one catch and that was Catch-22, which specified that a concern for one’s safety in the face of dangers that were real and immediate was the process of a rational mind.  Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions.”
‘I love irony.’
In 3.10, life changes were introduced for several of the cast members. This week those changes were explored in their various stages of progression for the three leads. Tied into those changes were barriers for each of the characters. In some cases the barriers are external. In others internal. In all cases there is a Catch 22 element to them. Damned if you do. Damned if you do not.
Catch 22 Scenario 1:
Chuck is convinced that in order for him to be together with Sarah, he has to become a spy. The catch? In order to become a spy, Sarah believes Chuck cannot accomplish that goal without losing the qualities that has endeared him to her in the first place. Those qualities are more than endearments. For Sarah they are lifelines to redemption as we later see.
Catch 22 Scenario 2:
This one is built on a false premise.
In order to be a spy, Chuck must pass the red test, which means he must kill. If he does not, Chuck goes back to his old life. This one has always struck a false note right from when it first arose back in 3.01. As long as Chuck has the Intersect, how can he go back to a normal life? It would be more plausible for him to go back to an asset status. Or bunkered. Maybe that is what the show means, but since they leave the details of what his old life are nebulous, the inference is that he will be a civilian. Which makes no sense if he still has the Intersect.

Catch 22 Scenario 3:
Chuck has become a spy dishonestly. With Casey taking the shot the cheat has worked in Chuck’s favour this time. In Stanford, the cheat cost Chuck his diploma. Ah yes, the smell of irony. The catch here is that Chuck cannot come clean for Casey is a civilian and what he did was murder. So Chuck’s hands are tied in being able to tell Sarah the very thing she needs to hear.
Catch 22 Scenario 4:
If Chuck passes his spy test, he gets everything he wants, except Sarah in his new assignment. If he fails he loses everything including, it is inferred, Sarah. What would anyone put the chances of Sarah resigning to stay with Chuck if he did fail though?
Some of these barriers do not bear up under examination but we must accept them for what they are. They are the factors being used to drive the actions of the characters. The main thing to take away is that for the story to continue the log jam has to be relieved. Which it looks like it will be in the next episode. With the relieving of these pressures, changes for the characters is inevitable.
Episode Flashes:

• Beware blue bubble wrap envelopes! They bring ill tidings.
• Casey finding his spy skills cannot be employed at the BuyMore
• For the men – nice legs shot of Sarah
• Chuck and his reaction to the spy test – #2 pencil and scantron!
• Chuck’s new cover as a billionare in Rome – pretty sweet for a first gig
• Chuck Bond! The Nerd is getting smoother all the time.
• Chuck Stake Out Essentials with his own specialized case of champagne, Sizzling Shrimp and Stake Out play list amongst other items
• Sarah’s twisty mouth ‘I shouldn’t be falling for this but I am,’ reaction
• Private Eyes!
• Chuck and Sarah showing the chemistry is still there in gobs during the stake out/date.
• Sarah hiding behind binoculars as Chuck’s words get past her emotional defenses
• ‘I can expense this, right?’
• For the ladies – Chuck in a towel
• One of the Russian baddies named Ivan Drago! Ala Rocky IV ‘I must break you.’
• Chuck fighting in the Steam Room in TV version of Eastern Promises
• Ka-kaw! Ka-kaw! Chuck bird call to help ID the CIA mole
• ‘I am a spy!’ – cue shot of dropping towel – ‘I am a naked spy!’ – eat your heart out James Bond!
• Chuck strutting in the OrangeOrange up to Sarah, ‘Hi there colleague!’
• Chuck’s gift to Casey
• Sarah having to deliver Chuck his final mission test – the red test
• Washroom fight – Casino Royale style!
• Chuck trying his best to bring the CIA mole in alive
• Chuck unable to take the shot
• Casey taking the shot
• Sarah’s remorse and the intertwining of her feelings of her red test with those of being responsible for leading Chuck down the path to taking the red test

Zev Borrow has crafted an episode that seems very much like the launching pad for some major story threads in the next episode or two. All done with the trademark mix of humor, drama, action and comedy. Characters are being positioned to make irreversible choices. Once again, this has become a mantra, the three leads turn in strong performances. With Chuck we get the first glimpses of the spy he will be. Zac Levi’s merging of the Bondian aspects of the spy world with Chuck’s innate goodly goofy qualities is a treat to watch. Adam Baldwin’s turn as John Casey as a hair triggered weapon with no place in the so called real world of the BuyMore was fun. Finally there is Sarah’s back story reveal of her red test which explains much, if not all, of her behaviour this season and the series. Yvonne nails the turmoil and anguish of that moment and encapsulates Sarah’s behaviour since Prague.
‘It was the worst day of my life.’
With Sarah’s backstory reveal of her red test, the final piece of the puzzle for her seemingly inconsistent behaviour this season has been added. Not only is she struggling with dealing with real feelings for the first time in her life, Sarah is seeing a chance to reclaim a part of herself through Chuck slipping away. Sarah has been struggling with her identity, as has Chuck and Casey, all season. Meeting Chuck gave her an anchor upon which to re-establish whom she was. When Chuck decided to become a spy, Sarah lost that anchor and has been adrift ever since. Staying with Chuck and watching him evolve by incoporating the very things Sarah hates about the spy life has been torture for her. Worse because she feels responsible for tainting those rare qualities of truth and honesty that Chuck has. This explains her request for transfer and distancing herself from Chuck all season as that process fermented. Now, believing Chuck has killed and knowing the fallout from her red test, Sarah is at her lowest point.
Her statement of not loving Chuck is a sympton of pain but Chuck is not the source. Sarah is. It is herself that she loathes. Chuck represents her past. And her shame. When Chuck passed the red test it equated to a lost opportunity for Sarah. A chance that may never come again to, in some measure, redeem herself. This is a line in the sand moment. Not a reinforced bunker. Such lines can be crossed. Sometimes the person making them is begging for someone to cross them.
‘You’re not a killer Chuck.’

Exciting times ahead. Sarah is about to discover that all is not lost through the actions and words of, not just Chuck, but Casey too. This is what we have been waiting for.
Payoff time!

‘You ready to die today?’

Tis the season of change in the Chuckverse. Even for a show where events often occur at a rapid clip, Chuck Vs The Tic Tac places characters on their own personal precipes on a scale never encountered before. To wit, five of the main cast members are left at the end of this episode faced with life altering changes:

1. Chuck
2. Sarah
3. Casey
4. Devon
5. Ellie

The quoted line is the question asked of a young Alex Coburn who must chose to serve his country or return home to his loved ones. Coburn choses to serve his country and in the process gives up who he is ie dies and is reborn as John Casey.
In Tarot, the Death Card is misleading. It signifies death as not an end but an agent of change. Or a new beginning. Redemption stories are about the death of the past. Coming of age stories are about the death of the child. So all stories begin at a point of change for a character. All stories are really about death in terms of change.
‘I know you’ll make the right decision. You always do.’
So Colonel Keller tells John Casey. But did young Alex Coburn really? Its a tough question where there is no clear answer. Casey certainly seems to think so. Was his decision to serve his country altruistic or did he see it as an opportunity to hide from feelings which he and his girlfriend acknowledged he has trouble dealing with. The answer is not clear and maybe this aspect of John Casey’s life can be explored in the future. Maybe Chuck will show a new path to John Casey.
The background reveal of Casey’s backstory explains much of his character. Quite a nifty piece of work as it sheds new light on Casey’s history of intolerance for the relationship tension between Chuck and Sarah since Team Bartowski came into being. Casey was often quick to express his displeasure when the relationship spilt out into missions and he always delighted in making Chuck and Sarah painfully aware when the other’s attention was diverted elsewhere. But he was always there to give both of them a nudge too when he saw things heading in bad directions. His actions in previous episodes take on a different light now because of his back story.
Most significantly for Chuck, making the right decision is at the basic core of his character too. We have seen Chuck do this time and time again even when it comes at his personal happiness. For Chuck, and for Sarah, to see the personal price that Casey has paid is hopefully a revelation that will play some part in the final outcome between them.
‘Don’t give up on the things that make you great.’
What Tic Tac does is crystallize the issues running between Chuck and Sarah. There is an accepted conceit that Sarah, and Casey, believe that in order to be an effective spy one has to make personal sacrifices. For Chuck to be a spy, Sarah believes that he will lose the very qualities that attracted her to Chuck in the first place. This is the challenge Chuck faces. To prove to Sarah, and maybe even to Casey, that the two lives do not have to be mutually exclusive. That being a spy does not mean giving up the essence of who you are. For Chuck has an ace card up his sleeve. The Intersect. With it, if he learns to control it properly, he has the power to prevent that from happening.
The catch to mastering control of the Intersect is he needs to have someone watching his back. Not so much in the physical sense but the emotional one. Someone to share with. To keep it simple. To keep it real. This is what he and Sarah need to discover together.
Episode Flashes:

• Robert Patrick by just being himself, which is all his role asked, was still cool
• Morgan spying on Casey
• Team B working their way through 15 levels of CIA security
• Castle debriefing scene which starts out with Chuck goofiness and quickly escalates into the most intense scene in the series to date – a Showcase sequence that demonstrates Chuck at its cross genre best
• hats off to Fitzroy’s ability to quickly upgrade CIA security
• Chuck’s smash into plexiglass wall and Sarah’s reaction due to said upgrades
• Sarah’s applauding of Fitzroy’s upgrades to defuse the situation and turn it to their advantage
• Fitzroy and Morgan. Is it just me or would these two together not be hilarious?
• Fitzroy revealing he is a big fan of Carmichael’s and his glee at Chuck kissing Casey back in Season 2
• Sarah’s punchout of Fitzroy and her exasperated ‘Yes’ to Chuck for it being necessary
• Devon and Morgan circling one another as they feel each other out as to how much they each know about Chuck
• Morgan agreeing to help Casey if he gets a codename like Condor or LadyFingers
• Chuck promising Sarah he still is that guy that Sarah met three years ago
• Sarah and Chuck helping Casey despite the potential consequences
• three excellent fight scenes:
  • Casey getting to do a Terminator toss of Robert Patrick
  • Sarah getting Casey’s back and taking out 5 baddies on her lonesome
  • Chuck’s slomo/speedup drug enhanced flash fight
• Sarah seeing her nightmare version of Chuck, echoed by what she saw in Casey’s fight, the perfect emotionless spy and confirmation she wants no part of that version of Chuck
• Casey’s discovery that he gave up much more than he realized
• Casey giving Chuck advice about him and Sarah. Can a Casey and Sarah talk be that far away?
• Ellie telling Chuck that her choice in Devon was her best choice regardless of the sacrifices made

This is an entertaining and intense episode which marks the impressive writing debut of Rafe Judkins & Lauren LeFranc. They blend together those cross genre elements of the show with deft ease. The debriefing scene in the Castle after the first mission is genius. To take something that starts out as a piece of Chuck charming goofiness and turn it into the most intense scene in the serie’s history is writing prowness at its best.
Add on to that some true comedic moments for Sarah, long overdue and most welcome, coupled with some kick ass action sequences and great scenes with Morgan, Ellie and Devon and it is all the more impressive. The cast continues to shine this season with Yvonne and Adam getting to extend their acting chops. Zac was stellar as usual.
The only quibble would be around the use of Laudanol by Chuck to suppress his emotions to better use the Intersect. While the intent is clear; to show Sarah the nightmare version of Chuck she dreads; the implementation was weak. Maybe budget restrictions were the true culprit here but for Chuck to be freaking out about having to fight too many guys, when he easily handled a similar number the episode before, undermined the purpose of those scenes.
‘Walker is a good woman.’

If anyone had any doubts about whether the Chuck and Sarah romance storyline is headed for imminent resolution, Casey’s speech to Chuck at the end of 3.10 is a big, flashing neon sign. It is has been a long running hope of mine that Casey would play an important part in resolving the Chuck and Sarah relationship and it looks like that is going to transpire.
Do not be surprised if John Casey has a similar moment with Sarah soon.

‘I’m firing you as my best friend.’
A relationship that has been crippled since the pilot and gone through a lot of ups and downs; mostly downs; has finally been repaired. No not that one. The Chuck and Morgan one. For almost three years now Morgan has been pushed off to the side ever since Bryce sent Chuck the Intersect. From that moment Chuck has been unable to be best buds with Morgan. But now Morgan knows everything that has happened to Chuck and has become paramount in Chuck’s ongoing ability to flash.
‘I’m tired of being a loser.’

It is good for Chuck to hear from someone else that their life is not what they want it to be either. Morgan was badass to the extreme in this episode. The character is severely flawed in several aspects but his fearlessness, or lack of looking before leaping perhaps, and his unfaltering loyalty to Chuck are admirable. While the benefits in the bromance between Morgan and Chuck may seemed heavily skewed to Morgan’s side, Morgan provides Chuck with a constant reality check.
‘Its awful you had to pretend to be in a relationship with someone you clearly loved.’
It has been pointed out that the previous episode had Chuck realize he still had feelings for Sarah. In the confessional scene where Chuck tells Morgan all, Chuck undergoes an emotional release that expunges all the things he kept secret since the Intersect first came into his life. The final beats where Chuck confesses out loud his love for Sarah are needed. It is one thing to realize something internally but to put those thoughts into words; to publicly profess something, takes those thoughts and turns them into something real. Something tangible. This is the power of spoken or written words. They turn thoughts into something with weight and heft. They capture feelings and thoughts. This was a catharsis for Chuck, and Morgan, and was not a repetition of beats from previous episodes.
Episode Flashes:

• Chuck’s shifting looks at Sarah and Shaw when told he can talk to them about his problems
• Morgan calling Chuck to the office for disciplinary action
• Jeff’s snake jaw ability to place a whole apple in his mouth
• Chuck practicing with flash cards to try and get his own flashing back
• Morgan stumbling onto the locker entrance to the Castle
• Morgan sneaking around the Castle and meowing when he bumps into a wall
• Casey’s flashbomb scene
• Morgan’s willingness to do what has to be done to defend the Castle
• Chuck and Morgan bonding when held as prisoners
• Morgan’s joyous reaction to finding out Chuck is a spy
• Morgan allowing to Chuck to voice out loud that he does love Sarah
• Jeffster rocking it to Creedence Clearwater Revival – aww yeah!
• Chuck taking out the bad guys once he flashes
• Morgan taking out the last bad guy with the requisite Hai-Yah!
• Morgan giving the bad guy he knocked out the Star Wars Ewok confirmation poke
• Morgan’s exit from the OOC and calling Sarah – Agent Walker
• Casey’s dismayed reaction to the release of Morgan
• Morgan ribbing Casey, ‘Colonel Casey. Always so angry. I knew you had a secret.’
• Chuck owning the Duck Hunt level – foreshadowing of his reacquired confidence?

A very upbeat episode that harkens back to the lighter tone of the previous seasons that features the entire cast and the directing debut by Zachary Levi. He does some great work here with some nice shot compositions including not just the flash bomb sequence but several scenes of fight choreography too. He proves himself adept at character moments too and his scenes with Morgan are set up to highlight the emotional beats. Josh Gomez and Zac Levi have some great moments too, together and apart.
While the Morgan, Chuck/Morgan and BuyMore storylines ranged from awesome to very good the spy stuff was, at best, trying. If there is one area the show needs to tighten up it is the logic of the spy story. Most of the time I am more than willing to meet the show halfway on these points but increasingly it seems like my need to reach is going beyond the halfway point.
The hotel feint was suspect. In the spy game information is the gold standard so when we are told they received intel it should be explained. Also we are told no known spies are listed at the hotel but did anyone take a moment to look at the names? Devon and Ellie’s should have jumped out. Or did they only look under, Occupation for spy?
Then there is the Ring cell phone. We were told in 3.02 that the Ring phones operates on a closed system and that the system had been tapped for use by Team Bartowski. So it seems in 3.09 that the Ring knows that their cell phone system has been cracked. Rather than utilize that for tactical advantage as a tool for misinformation they use one of their cell phones as a trap and give up that advantage in the process.
The closing scene has the same Ring phone being used to put a call through to Casey. How did they know Casey was there to pick it up? If they really wanted to contact Casey, would they not have sent him a phone directly like they did with Devon in 3.04 or used other means?
As to jumping on a self-destruct plan to solve the Castle takeover, surely there must be other nonlethal contingencies in place? Not to mention the idea of blowing up a facility in an area with civilians present!
Going forward into an anticipated fourth season I petition the showrunners to step up their game when it comes to the future spy story plotting and logic.
‘You are rehired as my best friend!’

Chuck has started his ascent. With Morgan at his side as Alfred to Chuck’s Batman, Chuck now has a sounding board to keep him grounded. Rather than turning inward towards himself, Morgan enables Chuck to focus outward and release his emotional insecurities.
It is fitting that the first relationship crippled by the Intersect has been repaired. Look for big things going forward for Chuck Bartowski. Including the resolution of that other relationship. There is no discussion of the Chuck and Sarah relationship in this review for good reason. This episode is about Chuck re-establishing himself through the life long bond of brotherhood with Morgan.
Chuck has rediscovered his old self. With this healing complete, we can expect to see a confident and more assured Chuck than we ever have to date.
Chuck has his wingman back. Someone who understands him, whose loyalty is unquestionable, and who will always have Chuck’s back. By any definition of the word they are brothers. Fortunate sons indeed.